Janette Square
Artist's Statement “When I create an intarsia for someone, I strive to create something meaningful and personal to them. Whether a portrait of a beloved pet or a landscape of someplace that holds a special meaning, these custom pieces challenge me to bring to life in wood, a part of their life that is important to them. This, I find is the most rewarding aspect of what I do. When my art work brings happiness to someone - it is the best reason I can think of to create it.” Artist Bio Janette Square is an accomplished, internationally recognized intarsia artist who has lived in Eugene, Oregon since 1995. She began using wood as an artistic medium around 1999. The natural color and grain of wood is the perfect medium for creating colorful and realistic pieces based on nature. She has a unique gift of being able to create, from a photograph - first a pattern, then a finished piece of intarsia artwork. Custom pieces, including pet portraits are her specialty. She has created custom pieces for people worldwide. Self taught, Janette has the ability to capture an animal’s personality and expression in wood. While some of her pieces are made from commercially available patterns, many are her own designs. She is a regular contributor to both international scroll saw magazines, Creative Woodworks & Crafts as well as Scroll Saw Woodworking & Crafts. She enjoys encouraging others and teaching them by sharing her expertise, giving others confidence and improving their own skills. In 2006, one of her custom pieces received both “Best In Show” and “People’s Choice” awards at the Rhododendron Festival’s annual art show in Florence, Oregon. The same piece was selected by Woodcraft Magazine in March of 2007 from over 300 entries for their intarsia contest. In 2005, Janette received an honorable mention in Scroll Saw Wood-working & Crafts Magazine’s design contest as well as being a finalist in the 2008 event. In 2004, Janette was interviewed by KVAL news and demonstrated her work for a segment of the newscast. She is recognized as one of the premier Intarsia Artists by her peers. She has been a contributing editor to Creative Woodworks & Crafts Magazine since 2008. Starting with a pattern, Janette selects the types of woods she will use in a project. The color and grain selection of the wood is an important first step. Each piece is first cut out with a scroll saw, then shaped and sanded utilizing several types of sanding and carving tools depending on the desired results. Once each piece has been shaped, they are all glued together and several coats of a clear satin finish is applied to protect and enhance the natural colors of the wood. No stains are ever used and the only paint used is a highlight dot in the eye of her animals. This highlight brings the piece to life. The project is then glued to a backing for added strength. Each finished project is numbered and signed by the artist. She also lists the woods used to create the piece on the back. |
Kevin Square
I aspire to compose images that communicate from my spirit to yours: for that, I believe, is the essence of art. All of my compositions begin life in my imagination and are extensions of it. My compositions are created on, but not by, a computer. Fractal art is not painting with a digital brush and it is not the manipulation of an existing image. It is a unique medium where the starting point for a composition is natures own geometry. What I believe makes this artform unique and what I really love about it is how the underlying math comes through in my pieces. There are many details that would be very difficult, if not impossible, to create in any other medium. Painting with Math. The ‘fractal’ in Fractal Art comes from fractal geometry, a branch of mathematics that models the forms and textures we see in nature - organic shapes like clouds and trees. Using software specifically designed to work with fractal equations I begin with the selection of a formula and the tuning of any and all of its parameters. For example; the shape and texture of a cloud can be modeled by a fractal equation so by working with the same equation I can create and manipulate a cloud-like element for my image. Each element in my compositions is created individually. Throughout the process; layers, coloring, and parameters are; added, removed, merged, replaced, or revised. These different elements are blended together to create my final composition. My ‘original’ is actually the formulas and parameters that describe the image. I then have the software calculate the precise color of each pixel and create a graphics file for printing. Often I start with a preconceived notion of what I want to communicate through a piece. [Un]Fortunately, in this collarborative process the piece often decides to develop a life and meaning of its own. Or should I say, it has decided to reflect what I was really trying to communicate whether I knew it or not. And then, of course, some are just for fun! KES |